The Method
How we make it, and how we check it.
Most frequency music asks you to trust the label. We publish the measurement instead. Every session goes through the same four steps before it is released.
-
1 — Synthesize
We generate the sound bed ourselves — colored noise from a defined spectral slope, or an ambient composition — rather than stitching stock loops. Starting from a signal we control is what makes the next step possible.
-
2 — Analyze
We run a Fast Fourier Transform on the finished master. It shows exactly how energy is distributed across the spectrum: the spectral centroid, the slope, and how the sound evolves from start to end.
-
3 — Verify
The measurement has to match the label before anything ships. A track called brown noise has to actually fall at roughly minus 6 dB per octave. If the numbers disagree with the name, it does not go out.
-
4 — Publish
The numbers go into the description: spectral centroid, evolutionary deviation, and the exact binaural configuration. You do not have to take our word for it — the same measurement is one free tool away.
Binaural
About binaural beats
We use a 200 Hz carrier with a small differential — for example 200 Hz in the left ear and 202.5 Hz in the right for a 2.5 Hz delta beat — and we publish the exact figures. The evidence that binaural beats shift brain states is mixed, so we treat them as a subtle, optional layer rather than a guarantee.
What the evidence says
Verify any track yourself
Load any audio into a free spectrum analyzer and read the slope and centroid. That is the whole idea: the claim and the measurement should agree, on our tracks and on anyone else's.
Frequencies →